Wednesday, March 27, 2013

Harry's Wine Guide | Chapter 3 of 8: Drinking Smarter


Harry Haddon’s Incomplete And Unofficial Guide To The Hedonistic Pleasures Of The Grape

Chapter Three: Drinking Smarter

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So. Wine is fundamentally awesome and to get to that awesomeness we need to taste for difference. So far, so good.

We now hit a little snag in the road. All those differences you taste in wine are messages. They talk to you in a language we are always learning, about the weather the grape was grown in, tales of how the winemakers worked, and mayday signals alerting you to faults in the wine. To learn this language we need to enter into a labyrinth with no centre, a maze without end, we need to learn about vines, weather, grapes, winemaking techniques, oak forests, styles, chemistry, and biology.

We will make small forays down some of these paths in the weeks to come. For now let us sit down at the side of the path, with whatever knowledge we have, crack open a bottle, and talk about a few practical measures around wine imbibing.

Wine writer Andre Simon said there is one rule that needs to be remembered when enjoying wine: “The best wine is that which is the most suitable, hence the most pleasing at the time.”

With this elegant little dictum in mind, let us look at a few ways to make the wines in our glass more suitable.

Temperature

As a wine warms up the flavor compounds – who make their pilgrimage to the olfactory bulb – become more volatile, and easier for us to experience. Too cold and the wine is stripped of its aromas and flavours. Too hot and the alcohol starts evaporating at a rate which overwhelms everything else.

It is not just flavor compounds and alcohol that are affected by temperature. High tannins – the compounds in wine that dry out your mouth – are exacerbated by low temperatures, and wines that are sickly sweet can be made more refreshing by chilling.

You want to be drinking your wines in a temperature band between 18 degrees Celsius and a minimum of around 6.

Harry’s Rough Wine Temperature Guide: 

15-18 degrees Celsius
Your good, solid, tannic red wines should be served at this temperature. Think Cabernet Sauvignon and the rest of the Bordeaux brigade, Syrah/Shiraz, Pinotage etc.

12-16 Degrees Celsius
At this temperature you want to drink complex white wines like wooded Chardonnays, Chenins, and white blends. Aged whites would be best at around this temperature too. You could fit in serious Pinot Noirs here as well.

10-12 Degrees Celsius
If you open a cheap red wine that tastes a little kak, try it down at this temperature. Just as warmer wine lets good flavor compounds jump out of the glass, cooler wines mask the unattractive ones. Use this temperature for fresher, lighter reds and other white wines.

6-10 Degrees Celsius
At this chilly end of the thermometer we should be drinking sparkling wine – warm sparkling wine creates too much froth – sweet wines, flabby white wines, and rose. Also anything that still tastes kak at 10-12 degrees.

Here’s my tip: always err on the side of cold. It is very easy to warm a wine up in the glass; our African ambient temperature will do the job, and our grubby mitts the rest. However, a wine too warm can only be saved with ice, and while this is fine for something cheap by the pool, it’s not ideal to dilute something you have paid good money for.

Glassware

Context is everything. For some reason I derive great joy from drinking simple whites and reds out of tumblers. Serious wines deserve the chance to show their stuff, so thin glasses with a big enough bowl is best. Remember don’t fill up your glass. A third is good enough. You look less of a glutton, and it gives the aroma room for your nose to sniff up.

Those thick-lipped chunky wine glasses are the worst. They’re called goblets, and you have my permission to smash them all. Honestly, you are better off necking it from the bottle.

Decanting

There is a misguided belief that decanting – the pouring of wine from bottle into specially designed glass receptacles – is only for ridding older wines of their sediment. While this is the best way to avoid sediment in your glass, younger wines benefit even more from a good decanting.

The point of decanting young wines is for oxygen to work on the wine. Forget the science for now. Just think of a person sitting on a couch. Imagine them first sitting tensely, on the edge of the couch, all elbows and knees. Now imagine them leaning back into the couch, comfortable and at ease. Decanting wine is basically getting it to relax on a couch. Once decanted and relaxed the wine will present you with far more aromas and flavours.

Decanting is all about time, the younger and more tannic the wine the longer you need to decant. Experiment. Taste every hour or so to get an idea of how the oxygen is working.

You don’t need a fancy decanter; a glass vase is a good substitute.

Food

It matters less than everybody says. Eat, drink and be merry.

Ritual

Ritual is important in wine. Whether it is that little thudding pop as a cork is extracted, or the time you spend before dinner lovingly decanting the evening’s wines, or how you meet up with the same three friends each month to catch up over a bottle of wine.

Since the ancients we have included an element of ritual in our wine drinking. The Greeks had a spitting game called Kottabos, Christians and Jews have it tightly woven into their own religious rituals, and F1 drivers celebrate winning with champagne. Wine is made for ritual. Be aware of them, and develop your own.

Context

Where you drink your wine, who you drink it with and the attitude with which you drink it are more important than anything else. What else can explain the exquisite memory I have of an MCC drunk in a river with my lover even though it was a fifth full with river water, or dull flat experience of a great wine drunk amongst douche-bags? If you drink your wine with joie de vivre, you will drink better wine.

To round off out first four articles next week we will be looking at a few of the major grape varieties in South Africa and what to expect when drinking them.

Harry.


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Wednesday, March 20, 2013

Harry's Wine Guide | Chapter 2 of 8: What the hell is in my glass?


Harry Haddon’s Incomplete And Unofficial Guide To The Hedonistic Pleasures Of The Grape

Chapter Two: What the hell is in my glass?

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I hope I convinced you in the first chapter of this series that the pursuit of sublime pleasure and blind drunkenness through wine is a worthwhile, and proper one. Better than a similar pursuit through spirits, beer, cider, or, god forbid, water. That being decided on, in this chapter I want to focus on the next very important step in loving wine, tasting and difference.

At University I drank cases and cases of Nederberg Baronne. When it was on special I carried out as much as my little bank account could bear. I glugged it heartily until I could not stand, and today have absolutely no idea what it tasted like.

The first flirtations, eyelash fluttering’s, and knowing glances of an affair with wine begin with your first real taste. Let me tell you how this happened for me.

It was at a small wine course. I was there due to the absence of a stationary salesman. Fortunately for me stranded in Bloemfontein over an eraser shortage, or was it a glut of sharpeners? I don’t know, but the end result was a mutual friend invited me to take his place.

That evening four small glasses, each about two fingers full of red wine, were poured for me. A new experience; I was used to a more linear style of drinking – four bottles one after the other was the norm, having them together a new idea entirely. It was to prove a revelation.

All the wines were made from Pinotage grapes, grown in Stellenbosch, and picked in the same vintage. I held up the first glass and giving it a jittery, unconfident swirl, lifted it to my nose. I took a deep sniff. I smelt . . . wine.

I took the next glass and repeated the swirl and brought it to my nose. Sniff: wine.

The third. Swirl. Sniff: wine. And the fourth. Swirl. Sniff: wine.

Then the revelation: they were all different.

I could no more describe the differences than I could write a Chinese rock opera. Each one smelt like wine, but different wine.

I reeled. What did this mean? Why the hell were they all so different? I went back to smell again, and taste. Like a person struggling to learn a new language, and with my tongue sticking out the corner of my mouth I tried to write down what I smelled and tasted.

Perhaps you have noticed I didn’t ask myself if I liked the wine or not? I was too interested in the whole ‘what the fuck, where fore, what too’ of it all. Knowing what you like is good, but you shouldn’t become blinded by it. Tastes are ephemeral. Like days in the middle of summer when the heat feels infinite, and a chilly winter morning is almost inconceivable. What you like now may feel concrete and sturdy, but it will change. When it does it will be like leaving the house on that freezing winter morning and wondering wistfully how summer vanished so quickly.

Wine is about difference, not preference. Preference is easy: you like something or you don’t. Difference is complicated, interesting, complex. So how do we go about finding the difference?

Harry’s quick guide to getting wine from the glass to your belly.

Into whatever clear receptacle you have chosen to drink out of, pour a little wine. Is it clear or cloudy? A dark, impenetrable purple, or a light brick red? Shiningly clear with a fleck of green, or a golden, glistening yellow?

Do not be concerned just yet as to the meanings of these colourful messages. First just look at them, and try to describe them.

Give your receptacle a swirl. When we talk about flavour we are really talking about aroma. It’s your nose – or rather the olfactory bulb - that does the hard work. The tongue is a relatively lazy organ that sticks to sweet, salty, sour and bitterness.  A wine’s aroma is made up of hundreds and thousands of different flavour compounds. So “the trick”, as the august Oxford Companion to Wine suggests, “is to persuade as many flavour compounds as possible to vaporize and come into contact with the olfactory bulb.”

Your swirling aids this vaporization. After you have swirled, this vaporized invisible cloud of aroma sits in the bowl of the glass – the reason why you have not filled it to the brim – ready for your nostrils to vacuum them up to that old factory bulb.

Now taste. Here is where the texture of the wine is felt. Acidity – which stimulates the saliva glands; tannins – that dry out your mouth; residual sugar which rounds and fattens the wine; viscosity – is the texture closer to water or honey? And alcohol – do you feel the warming glow of alcohol, or is it a rough, rasping heat?

Then you swallow or spit depending on your conditions and preference. Check to see how long the aromas, textures and flavours play out in your mouth. Do they disappear quickly like a jilted lover, or do they stay and develop, twist and change, leading you down the garden path, out the back gate to somewhere new?

This is where it all begins, and ends really. There is much more to learn about wine, but it inevitably leads back to this simple interaction.

Here’s the homework. Open four bottles of wine, all red or all white. Pour them out into four glasses, and go through this process. Don’t try to find which is the best wine, but all the ways in which they are different. Write these down. Be creative, free, and imaginative.

The hardest part of wine is talking about it. We are constrained by language. Mere words and phrases to discuss and communicate something that is wholly outside language. This is also, however, part of the fun.

Next week we are going to look at a few practical ways to make this process yield the best results.

Harry.


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Monday, March 11, 2013

Harry's Wine Guide | Chapter 1 of 8: Oh god more wine words, why?

Harry Haddon’s Incomplete And Unofficial Guide To The Hedonistic Pleasures Of The Grape

Chapter One: Oh god more wine words, why? (1 of 8)


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Welcome readers to the first in a series of articles on Real Time Wine. These articles are not trying to ‘convert’ you; they will definitely not turn you into a master of wine; and will absolutely not, under any circumstances tell you which wines you have to drink. The aim of this set of articles is to encourage, foster, or to be very web 2.0 about it, curate a love for wine, and to perhaps throw in a few tidbits of information along the way. Just so you know, they are written by someone who is convinced wine is the greatest beverage in the history of wo/mankind.

You may already be asking why. Why do we need more words on wine? Can’t you leave us alone and let us just drink the stuff? Do we have to listen to some poncey, big nosed bastard who is going to tell us about the flutteringly fleet-footed scent of an angels fart, offset only by the delicate flavour of cigar boxed, pencil shaved bullshit? In short: Because it’s awesome, of course you can, and I damn well hope not.

Why wine? Well for the last couple thousand years (earliest estimates see evidence for wine making at around 7000 BC) we have been drinking it. We have drunk it to escape our cruel and short lives, to grease our brain’s cogs and wheels, to liven up parties, to find inspiration, and to worship our gods. We have traded wine, made millions with wine, and lost it all with wine. We’ve made it sweet, drunk it sour, wrote books on it, fought for it, died for it, and we have drunk wine because, goddamnit, drinking it is awesome. Wine was at the start of civilization and it will be there, in whatever form, at the end.

So whether you like wine or not, wherever you are on this mortal coil, it’s not going anywhere
But here is the tricky bit, and one that frustrates me, and you I am sure, to no end. How did this wonderful liquid, rich in history, gain this horrible reputation: the more you know about it, the more likely you are to be a pretentious snob.

One answer is of course the price of wine. The brilliant 18th century author Goethe made the point, “The rich want good wine, the poor plenty of wine.” I’m poor, and I want plenty of good wine. So sod you, Goethe.

We know they are out there. Not the experts, necessarily, or the winemakers, but anyone who thinks wine is only for the initiated; those who sternly look down their hand-blown crystal stems at others mixing up their Syrahs and Cabernets; people whose only joy in wine is buying the most expensive bottle and showing it off; those who easily forget that wine is intrinsically about pleasure, sharing, and life.

The purpose of wine is to enjoy it, to quench your thirst, to inspire joie de vivre. As soon as that ceases, so should your drinking. For some this occurs at four in the morning with their heads over a porcelain bowl, for others it is when they start buying wine simply to impress.

But of course, like most things, the more you know the more enjoyable it becomes. Unless of course your sole aim is to get shit-faced; if that’s the case, then by all means carry on. You are not alone.
For me, drinking wine is like reading. We start with the simple and, if we like it, progress to more and more complex books, poems, manuals, textbooks etc.

When I first read Spot the Dog, I can remember the joy in understanding the words and finding out where the hell that bloody Spot was. How much pleasure would I receive from the book now? Little, but that original joy is what I look for every time I open a book. It’s harder to achieve now. Joyce’s Ulysses was and is a massive pain in the arse, but when I grasp a single chapter properly, the joy of recognizing the Irishman’s genius is just like finding Spot. Wine, I think, is similar.

It’s that progressive and escalating joy of vinous exploration. Seeing how your palate changes, how it doesn’t. It’s of little importance which wines you like, but the fun comes from finding out why you like it.

These articles, I hope, are going to help you work that out. We’ll cover that swirling and gargling wine is not just for snobs, how to best pick wines in the supermarket, and reclaim some terms reserved for wine geeks like ‘terroir’, ‘natural wine’, and ‘wine of origin’ to show how they are really practical and can make your wine drinking experience better. We will try to share tasting notes, and to think about wine a little differently, but most of all I want to celebrate the drinking of this wonderful, magical beverage. Wine is awesome, and you are awesome for drinking it.



Friday, March 8, 2013

Top 10 Trending Wines [South Africa] 8 March 2013

It's been a while. Hello Wine Fans! Time to get into your wine shopping list, aka the Top 10 Trending Wines on Real Time Wine - right now! Delivered to you just before you leave work on a Friday. Timing is everything, as they say.

Quite a few here that are drawing some interest from our SuperFAN Club. And Chocolate Block is BACK. That wine just won't lie down, hey? Har. Har.

Onwards!

TOP 10 TRENDING WINES IN SOUTH AFRICA

#1   White Lady Wooded Chardonnay by Warwick (2011) R167
#2   Premium Chardonnay by Moreson (2011) R160
#3   Pinotage by Moreson (2011) R144
#4   Classique by Rupert & Rothschild (2010) R115
#5   Family White by AA Badenhorst (2010) R250
#6   Pinot Noir by Haute Cabriere (2008) R115
#7   Chocolate Block by Boekenhoutskloof (2010) R176
#8   Roxia by Nitida (2012, Sauvignon Blanc)
#9   Unwooded Pinot Noir by Haute Cabriere (2011) R92
#10 Kloof Street by Mullineaux (2012, Chenin Blanc) R85